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Poems

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By (user no longer on site) OP     over a year ago

Had I the heavens’ embroidered cloths,

Enwrought with golden and silver light,

The blue and the dim and the dark cloths

Of night and light and the half light,

I would spread the cloths under your feet:

But I, being poor, have only my dreams;

I have spread my dreams under your feet;

Tread softly because you tread on my dreams.

W.B. Yeats (1865–1939)

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By *anny PepperoniMan  over a year ago

Matlock

She walks in beauty like the night

Of cloudless climes and starry skies

And all that's good of dark and light

Meet in the aspect of her eyes

Byron

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By *uimlickerCouple  over a year ago

Stoke-on-Trent


"She walks in beauty like the night

Of cloudless climes and starry skies

And all that's good of dark and light

Meet in the aspect of her eyes

Byron"

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By *B9 QueenWoman  over a year ago

Over the rainbow, under the bridge

Do not go gentle into that good night,

Old age should burn and rave at close of day;

Rage, rage against the dying of the light.

Though wise men at their end know dark is right,

Because their words had forked no lightning they

Do not go gentle into that good night.

Good men, the last wave by, crying how bright

Their frail deeds might have danced in a green bay,

Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,

And learn, too late, they grieved it on its way,

Do not go gentle into that good night.

Grave men, near death, who see with blinding sight

Blind eyes could blaze like meteors and be gay,

Rage, rage against the dying of the light.

And you, my father, there on that sad height,

Curse, bless, me now with your fierce tears, I pray.

Do not go gentle into that good night.

Rage, rage against the dying of the light.

Dylan Thomas

..........................................................................

I read that at my father's funeral. It always makes me cry. But still it is very beautiful.

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By (user no longer on site) OP     over a year ago

Cold hearted orb that rules the night,

removes the colours from our sight.

Red is grey, and yellow, white,

but we decide which is right,

and which is an illusion.

Graeme Edge

(from: The Day Begins - Moody Blues album Days of Future Passed; narrated by Mike Pinder)

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By (user no longer on site)  over a year ago

It doesn't interest me what you do for a living. I want to know what you ache for and if you dare to dream of meeting your heart's longing.

It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.

It doesn't interest me what planets are squaring your moon. I want to know if you have touched the centre of your own sorrow, if you have been opened by life's betrayals or have become shrivelled and closed from fear of further pain.

I want to know if you can sit with pain, mine or your own, without moving to hide it, or fade it, or fix it.

I want to know if you can be with joy, mine or your own; if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, be realistic, remember the limitations of being human.

It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself. If you can bear the accusation of betrayal and not betray your own soul. If you can be faithless and therefore trustworthy.

I want to know if you can see Beauty even when it is not pretty every day. And if you can source your own life from its presence.

I want to know if you can live with failure, yours and mine, and still stand at the edge of the lake and shout to the silver of the full moon, 'Yes.'

It doesn't interest me to know where you live or how much money you have. I want to know if you can get up after the night of grief and despair, weary and bruised to the bone and do what needs to be done to feed the children.

It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the centre of the fire with me and not shrink back.

It doesn't interest me where or what or with whom you have studied. I want to know what sustains you from the inside when all else falls away.

I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments...

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By (user no longer on site) OP     over a year ago

Rage against the dying of the light - DB9, you managed to read that out loud on such an occasion? I admire you deeply. xx

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By (user no longer on site)  over a year ago

It May Not Always Be So; And I Say

it may not always be so; and i say

that if your lips,which i have loved,should touch

another’s,and your dear strong fingers clutch

his heart,as mine in time not far away;

if on another’s face your sweet hair lay

in such silence as i know,or such

great writhing words as,uttering overmuch,

stand helplessly before the spirit at bay;

if this should be,i say if this should be—

you of my heart,send me a little word;

that i may go unto him,and take his hands,

saying,Accept all happiness from me.

Then shall i turn my face,and hear one bird

sing terribly afar in the lost lands

E. E. Cummings

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By (user no longer on site) OP     over a year ago

So here I am, in the middle way, having had twenty years—

Twenty years largely wasted, the years of l'entre deux guerres

Trying to learn to use words, and every attempt

Is a wholly new start, and a different kind of failure

Because one has only learnt to get the better of words

For the thing one no longer has to say, or the way in which

One is no longer disposed to say it. And so each venture

Is a new beginning, a raid on the inarticulate

With shabby equipment always deteriorating

In the general mess of imprecision of feeling,

Undisciplined squads of emotion. And what there is to conquer

By strength and submission, has already been discovered

Once or twice, or several times, by men whom one cannot hope

To emulate—but there is no competition—

There is only the fight to recover what has been lost

And found and lost again and again: and now, under conditions

That seem unpropitious. But perhaps neither gain nor loss.

For us, there is only the trying. The rest is not our business.

T S Eliot- Four Quartets - East Coker (part)

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By *B9 QueenWoman  over a year ago

Over the rainbow, under the bridge


"Rage against the dying of the light - DB9, you managed to read that out loud on such an occasion? I admire you deeply. xx"

I was really choked by the end and the vicar had to put his hand on my shoulder to steady me.

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By (user no longer on site) OP     over a year ago

The Rubáiyát of Omar Khayyám

Here, with a loaf of Bread beneath the bough,

A flask of wine, a book of verse - and thou

Beside me singing in the wilderness -

And wilderness is Paradise now.

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By *B9 QueenWoman  over a year ago

Over the rainbow, under the bridge

DEATH IN LEAMINGTON

She died in the upstairs bedroom

By the light of the ev'ning star

That shone through the plate glass window

From over Leamington Spa

Beside her the lonely crochet

Lay patiently and unstirred,

But the fingers that would have work'd it

Were dead as the spoken word.

And Nurse came in with the tea-things

Breast high 'mid the stands and chairs-

But Nurse was alone with her own little soul,

And the things were alone with theirs.

She bolted the big round window,

She let the blinds unroll,

She set a match to the mantle,

She covered the fire with coal.

And "Tea!" she said in a tiny voice

"Wake up! It's nearly five"

Oh! Chintzy, chintzy cheeriness,

Half dead and half alive.

Do you know that the stucco is peeling?

Do you know that the heart will stop?

From those yellow Italianate arches

Do you hear the plaster drop?

Nurse looked at the silent bedstead,

At the gray, decaying face,

As the calm of a Leamington ev'ning

Drifted into the place.

She moved the table of bottles

Away from the bed to the wall;

And tiptoeing gently over the stairs

Turned down the gas in the hall.

John Betjeman

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By (user no longer on site) OP     over a year ago

A Lady Who Thinks She Is Thirty

Unwillingly Miranda wakes,

Feels the sun with terror,

One unwilling step she takes,

Shuddering to the mirror.

Miranda in Miranda's sight

Is old and gray and dirty;

Twenty-nine she was last night;

This morning she is thirty.

Shining like the morning star,

Like the twilight shining,

Haunted by a calendar,

Miranda is a-pining.

Silly girl, silver girl,

Draw the mirror toward you;

Time who makes the years to whirl

Adorned as he adored you.

Time is timelessness for you;

Calendars for the human;

What's a year, or thirty, to

Loveliness made woman?

Oh, Night will not see thirty again,

Yet soft her wing, Miranda;

Pick up your glass and tell me, then--

How old is Spring, Miranda?

Ogden Nash

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By (user no longer on site) OP     over a year ago

Introspective Reflection

I would live all my life in nonchalance and insouciance

Were it not for making a living, which is rather a nouciance.

Ogden Nash

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By *icentiousCouple  over a year ago

Up on them there hills

[Removed by poster at 09/12/13 14:51:06]

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By *icentiousCouple  over a year ago

Up on them there hills

I sat all morning in the college sick bay?

Counting bells knelling classes to a close.?

At two o'clock our neighbors drove me home.??

In the porch I met my father crying--?He had always taken funerals in his stride--?

And Big Jim Evans saying it was a hard blow.??

The baby cooed and laughed and rocked the pram?

When I came in, and I was embarrassed?

By old men standing up to shake my hand??

And tell me they were 'sorry for my trouble,'?

Whispers informed strangers I was the eldest,?

Away at school, as my mother held my hand??

In hers and coughed out angry tearless sighs.?

At ten o'clock the ambulance arrived?

With the corpse, stanched and bandaged by the nurses.??

Next morning I went up into the room.

Snowdrops?And candles soothed the bedside; I saw him?

For the first time in six weeks.

Paler now,??

Wearing a poppy bruise on his left temple,?

He lay in the four foot box as in his cot.?

No gaudy scars, the bumper knocked him clear.??

A four foot box, a foot for every year.

Seamus Heaney

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By *B9 QueenWoman  over a year ago

Over the rainbow, under the bridge

Love Heaney. Digging and Follower are excellent too. And his translation of Beowulf was brilliant.

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By *rtemisiaWoman  over a year ago

Norwich

The trees are coming into leaf

Like something almost being said;

The recent buds relax and spread.

Their greenness is a kind of grief.

Is it that they are born again

And we grow old? No, they die too.

Their yearly trick of looking new

Is written down in rings of grain.

Yet still the unresting castles thresh

In full-grown thickness every May.

Last year is dead they seem to say.

Begin afresh, afresh, afresh.

The Trees by Philip Larkin.

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By *icentiousCouple  over a year ago

Up on them there hills


"Love Heaney. Digging and Follower are excellent too. And his translation of Beowulf was brilliant. "

Yes, to me his use of language is brilliant, some of the descriptions in digging is stunning

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By *Ryan-Man  over a year ago

In Your Bush

There was a wee lassie, who wore a kilt

She wore a kilt, she wore a kilt.

There was a wee lassie who wore a kilt, over the hills of Killarney.

Her kilt flew up, her arse was bear, her rumpety doo was covered in hair.

Oh by god, I wish I was there.

Over the hills of Killarney.

.

Anon - sometime after AD 57

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By (user no longer on site) OP     over a year ago

'bare', not 'bear'

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By *Ryan-Man  over a year ago

In Your Bush


"'bare', not 'bear'"

Whoops got bloody Paddington pics taking over my mind

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By (user no longer on site) OP     over a year ago


"'bare', not 'bear'

Whoops got bloody Paddington pics taking over my mind "

You saw the lot covered in honey/marmalade, no doubt

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By (user no longer on site) OP     over a year ago

I eat my peas with honey

I’ve done it all my life

It makes the peas taste funny

But it keeps them on the knife

Ogden Nash

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By (user no longer on site)  over a year ago

I won't claim to know any old classic poems, but I do like

She had blue skin, and so did he

He kept it hid, and so did she

They searched for blue, their whole lives through

Then passed right by, and never knew.

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By (user no longer on site) OP     over a year ago

Aww - that's sad

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By *icentiousCouple  over a year ago

Up on them there hills

Five pounds fifty in change, exactly,?

a library card on its date of expiry.

??

A postcard stamped,?unwritten, but franked,??

a pocket size diary slashed with a pencil?from March twenty-fourth to the first of April.

??

A brace of keys for a mortise lock,?

an analogue watch, self winding, stopped.

??

A final demand?in his own hand,??

a rolled up note of explanation?planted there like a spray carnation??but beheaded, in his fist.?

A shopping list.?

A giveaway photograph stashed in his wallet,?

a keepsake banked in the heart of a locket.

??

no gold or silver,?

but crowning one finger??a ring of white unweathered skin.?

That was everything.

Simon Armitage

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By *anny PepperoniMan  over a year ago

Matlock

There was s young woman from ealing

Who had a peculiar feeling

She lay on her back

And opened her crack

And squirted all over the ceiling

I'll get me coat

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By *inaTitzTV/TS  over a year ago

Titz Towers, North Notts

There was a chap from Matlock

Who had a nice cock

He wasn't after a girly

because some were too burly

so he kept it in a sock

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By *anny PepperoniMan  over a year ago

Matlock


"There was a chap from Matlock

Who had a nice cock

He wasn't after a girly

because some were too burly

so he kept it in a sock

"

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By (user no longer on site)  over a year ago

When first my brave Johnie lad came to this town, 

He had a blue bonnet that wanted the crown; 

But now he has gotten a hat and a feather, 

Hey, brave Johnie lad, cock up your beaver! 

Cock up your beaver, and cock it fu' sprush, 

We'll over the border, and gie them a brush; 

There's somebody there we'll teach better behaviour, 

Hey, brave Johnie lad, cock up your beaver!

Robert Burns, 1791.

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By (user no longer on site)  over a year ago

There was a young lady named Jill

Who swallowed a dynamite pill

They found her vagina

In North Carolina

And bits of her tits in Brazil

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By *inaTitzTV/TS  over a year ago

Titz Towers, North Notts

ComTesao, ComTesao,

Not from Sau Paulo,

but with nice eyes,

and no ties,

However, CD's are a no go

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By *icketysplitsWoman  over a year ago

Way over Yonder, that's where I'm bound


"Had I the heavens’ embroidered cloths,

Enwrought with golden and silver light,

The blue and the dim and the dark cloths

Of night and light and the half light,

I would spread the cloths under your feet:

But I, being poor, have only my dreams;

I have spread my dreams under your feet;

Tread softly because you tread on my dreams.

W.B. Yeats (1865–1939)"

This is my favourite poem and the one I used for my sons funeral.

It's nice to see a poetry thread again.

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By *icketysplitsWoman  over a year ago

Way over Yonder, that's where I'm bound

It was late September. I’d just poured a glass of wine, begun to unwind, while the vegetables cooked. The kitchen

filled with the smell of itself, relaxed, its steamy breath

gently blanching the windows. So I opened one, then with my fingers wiped the other’s glass like a brow.

He was standing under the pear tree snapping a twig.

Now the garden was long and the visibility poor, the way the dark of the ground seems to drink the light of the sky, but that twig in his hand was gold. And then he plucked a pear from a branch. – we grew Fondante d’Automne –

and it sat in his palm, like a lightbulb. On. I thought to myself, Is he putting fairy lights in the tree?

He came into the house. The doorknobs gleamed. He drew the blinds. You know the mind; I thought of the Field of the Cloth of Gold and of Miss Macready.

He sat in that chair like a king on a burnished throne.

The look on his face was strange, wild, vain. I said, What in the name of God is going on? He started to laugh.

I served up the meal. For starters, corn on the cob.

Within seconds he was spitting out the teeth of the rich.

He toyed with his spoon, then mine, then with the knives, the forks.

He asked where was the wine. I poured with a shaking hand,

a fragrant, bone-dry white from Italy, then watched as he picked up the glass, goblet, golden chalice, drank.

It was then that I started to scream. He sank to his knees.

After we’d both calmed down, I finished the wine on my own, hearing him out. I made him sit on the other side of the room and keep his hands to himself.

I locked the cat in the cellar. I moved the phone.

The toilet I didn’t mind. I couldn’t believe my ears:

how he’d had a wish. Look, we all have wishes; granted.

But who has wishes granted? Him. Do you know about gold?

It feeds no one; aurum, soft, untarnishable; slakes

no thirst. He tried to light a cigarette; I gazed, entranced,

as the blue flame played on its luteous stem. At least, I said, you’ll be able to give up smoking for good.

Separate beds. in fact, I put a chair against my door, near petrified. He was below, turning the spare room

into the tomb of Tutankhamun. You see, we were passionate then, in those halcyon days; unwrapping each other, rapidly, like presents, fast food. But now I feared his honeyed embrace,

the kiss that would turn my lips to a work of art.

And who, when it comes to the crunch, can live with a heart of gold? That night, I dreamt I bore his child, its perfect ore limbs, its little tongue

like a precious latch, its amber eyes

holding their pupils like flies. My dream milk burned in my breasts. I woke to the streaming sun.

So he had to move out. We’d a caravan

in the wilds, in a glade of its own. I drove him up under the cover of dark. He sat in the back.

And then I came home, the woman who married the fool who wished for gold. At first, I visited, odd times,

parking the car a good way off, then walking.

You knew you were getting close. Golden trout on the grass. One day, a hare hung from a larch, a beautiful lemon mistake. And then his footprints,

glistening next to the river’s path. He was thin, delirious; hearing, he said, the music of Pan from the woods. Listen. That was the last straw.

What gets me now is not the idiocy or greed but lack of thought for me. Pure selfishness. I sold the contents of the house and came down here.

I think of him in certain lights, dawn, late afternoon, and once a bowl of apples stopped me dead. I miss most,

even now, his hands, his warm hands on my skin, his touch.

Carol Ann Duffy

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By (user no longer on site)  over a year ago


"ComTesao, ComTesao,

Not from Sau Paulo,

but with nice eyes,

and no ties,

However, CD's are a no go

"

TinaTitz TinaTitz TinaTitz

Has a lovely complexion, no zits

But I must know the deal

Are those lady bumps real?

Must be hell to find clothing that fits.

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By *inaTitzTV/TS  over a year ago

Titz Towers, North Notts


"

TinaTitz TinaTitz TinaTitz

Has a lovely complexion, no zits

But I must know the deal

Are those lady bumps real?

Must be hell to find clothing that fits. "

Sir, I courtesy and take my hat off to that, that is bloody brilliant

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By (user no longer on site)  over a year ago

The pleasure was all mine.

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By (user no longer on site)  over a year ago

stop all the clocks, cut off the telephone

prevent the dog from barking with a juicy bone,

silence the pianos and with muffled drum,

bring out the coffin, let the mourners come

let aeroplanes circle moaning overhead

scribbling on the sky the message He is dead,

put crepe bows round the white necks of the public doves,

Let the traffic policemen wear black cotton gloves,

He was my North, my South, my East and my West,

My working week and my Sunday rest,

My noon, my midnight, my talk, my song;

I thought love would last forever I was wrong

the stars are not wanted now: put out everyone

Pack up the moon and dismantle the sun:

Pour away the ocean and sweep up the wood

For nothing now can never come to anygood

FUNERAL BLUES

W.H.AUDEN

1938

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By (user no longer on site) OP     over a year ago

Déjeuner du matin

Il a mis le café

Dans la tasse

Il a mis le lait

Dans la tasse de café

Il a mis le sucre

Dans le café au lait

Avec la petite cuiller

Il a tourné

Il a bu le café au lait

Et il a reposé la tasse

Sans me parler

Il a allumé

Une cigarette

Il a fait des ronds

Avec la fumée

Il a mis les cendres

Dans le cendrier

Sans me parler

Sans me regarder

Il s'est levé

Il a mis

Son chapeau sur sa tête

Il a mis son manteau de pluie

Parce qu'il pleuvait

Et il est parti

Sous la pluie

Sans une parole

Sans me regarder

Et moi j'ai pris

Ma tête dans ma main

Et j'ai pleuré

by Jacques Prévert

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By *icketysplitsWoman  over a year ago

Way over Yonder, that's where I'm bound

This seemed apt for today. It's also Human Rights Day today:

Tableau

Countee Cullen

Locked arm in arm they cross the way

The black boy and the white,

The golden splendor of the day

The sable pride of night.

From lowered blinds the dark folk stare

And here the fair folk talk,

Indignant that these two should dare

In unison to walk.

Oblivious to look and word

They pass, and see no wonder

That lightning brilliant as a sword

Should blaze the path of thunder.

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By *rtemisiaWoman  over a year ago

Norwich


"Five pounds fifty in change, exactly,?

a library card on its date of expiry.

??

A postcard stamped,?unwritten, but franked,??

a pocket size diary slashed with a pencil?from March twenty-fourth to the first of April.

??

A brace of keys for a mortise lock,?

an analogue watch, self winding, stopped.

??

A final demand?in his own hand,??

a rolled up note of explanation?planted there like a spray carnation??but beheaded, in his fist.?

A shopping list.?

A giveaway photograph stashed in his wallet,?

a keepsake banked in the heart of a locket.

??

no gold or silver,?

but crowning one finger??a ring of white unweathered skin.?

That was everything.

Simon Armitage

"

I absolutely love this.

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